Notice

Têtes Noires

I happened into Têtes Noires almost by accident. I was at a party, and was chatting with some party-goers, one of whom happened to be the bass player for Têtes Noires, which was the pre-eminent all-female post-punk band around the Twin Cities. They had recently lost their original guitar player, and I was asked to audition.

I was excited by the prospect--this band made records and toured! A dream come true for me! I did audition, and I got the gig! I can't remember every show we played, but I did participate in a short weekend Chicago tour (the three songs in the player above come from that show), and a headlining Christmas show on the main stage at First Avenue, the best nightclub in Minneapolis. The below image was from City Pages (our local arts & entertainment weekly) in advance of that show: (top row: Cynthia Bartell, Jennifer Holt, Angela Frucci, Camille Gage, melne. Bottom row: Bitsy Byron, Renee Kayon)

Têtes Noires

I think I was only in this band about a year--maybe even less. It wasn't that I was unhappy with them, but I was young and inexperienced, and I let some peer pressure color my decision. I decided to leave the band, move to New York and join my Borrowed Time singer and "make it there."

I knew the moment that the resignation words left my mouth that it was the wrong thing to do, but I felt like once it was laid out there, there was no going back. To this day I regret that I left this band. I feel it was likely the worst decision of my musical career. How things would have been different one can't really speculate, but at the time I was simply too young and inexperienced to see the bigger picture.

Before I left for New York, I went into the studio to help them as they recorded some demos to shop for a record deal.

I put my stuff into storage, and moved to New York with $1200(!) in my pocket [yes, I thought that would be enough], lived in a shared-bathroom-down-the-hall hotel with roaches, got a menial job, and within 6 weeks used up all nearly all my money. Finally, it came down to where I had enough to stay in New York two more days and be completely broke, or purchase airfare back to Minneapolis. I couldn't live on the street, so I had to wave farewell to The Big Apple, put my tail between my legs and fly back home, where I had to couch-surf with friends until I got a new job and a new apartment.

In the meantime, Têtes Noires got a record deal, made an album, toured that album.

C'est la vie, no?

idedit

ideditSix years after Borrowed Time disintegrated, and I had moved to Hollywood, I got a phone call from Ward, my old bass player from Borrowed Time, who had been always consumed with a myriad of music-making projects since BT broke up. His most current project, idedit, which also featured Borrowed Time's drummer, was rehearsing, and he suggested that I return to Minnesota and join them.

I was open to the idea, and after some brief consideration, decided to move 2000 miles to play again with the rhythm section I loved most.

Above are the five demos we recorded within a week of my arrival (I had to learn the songs really fast!)

Unfortunately, the band was not to last, and within half a year, I found myself out of the band (and I'll never quite know why) along with the singer. Stranded in Minnesota then, I vascillated between "blooming where I was planted" and returning to California.

While I saved money for either option, Minnesota's weather began to sway my decision. I'd had enough of snow, and eventually packed up and left.

Borrowed Time

Borrowed Time was the best original band I was ever in--we created great music together, and I'm still very proud of our tunes. We recorded an album in 1984, but never got it released. I'll post the album here for you to enjoy!

 

First Men on the Sun

First Men on the Sun!

This was my first band upon my relocation to California. In the midst of the "Big Hair Metal" era, we were still weaving the post-punk alterna-rock with Pat Byars' catalog of original angsty-rock.

First Men on the Sun